Inayan Serrada |
Serrada literally translated means “to
close” or “to shut”. Serrada is a medium to close range
style emphasizing the use of blade or stick 18 to 26 inches in length.
Responses or counters to strikes are primarily linear in fashion, with
the main theory being to close in on an attackers strike to shut down
his or her power and speed. Serrada translates to both knife and open
hand applications. Serrada is considered one of the most important styles
within Inayan Eskrima because it bridges the gap between long and short
range defensive counters and attacks. |
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Angel Cabales and
Max Sarmiento |
Inayan Kadena de Mano |
Kadena de Mano literally translated means “Chain of Hand”. Kadena de Mano is the primary open hand and
knife system within Inayan Eskrima. Kadena is one of the most complex
styles taught within Inayan Eskrima due to its training drills and it’s
ability to flow from one theory to another. Knife defenses, open hand
counters, trapping skills and nerve strikes are cornerstones of this style. |
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Inayan Larga Mano |
Literally translated Larga Mano means “Long
Hand”. Most weapon encounters will begin in this range. This Inayan
style emphasizes evading oncoming strikes and countering to the attacking
limb. Inayan Larga Mano is based on the Kampilan sword, widely regarded
as the largest indigenous blade found in the Philippines. |
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Inayan Decuerdas |
Decuerdas means, “to cord”.
This style is based on reinforced weapon blocking and counter striking.
Theories include parry, block, block and parry and weapon to weapon disarming.
This is a basic but highly effective form of Eskrima. |
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Inayan Sinawali |
Sinawali translated means “to weave”.
In this style two weapons, usually of equal length are used in set offensive
and defensive patterns. From this the practioner is introduced to different
theories of executing the same blocking and striking sequences. Sinawali
is one of the primary ways that that the left and right hands are taught
to work in harmony and rhythm together. |
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Inayan Espada y Daga |
Possibly the most complex of all Inayan
styles, Espada y Daga literally means “sword and dagger”.
This is considered one of the mother arts of Eskrima. This style teaches
the left and right hands to work not only together, but more importantly
how to work independently of one another. Espada y Daga focuses on block
counter while at the same time positioning an opponent into a trapped
or locked position. |
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Inayan Sibat/Bankow |
This is the “Staff and Spear” method found in Inayan Eskrima. Based on many of the Inayan Larga Mano
concepts, this styles focus is on the use of distance and the length of
the weapon to block and counter. |
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In addition to the styles of Inayan Eskrima we also share the following
Fillipino Martial Arts:
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Panantukan |
Panantukan is a Filipino method of boxing.
Todays system of western boxing is said to have been heavily influenced
by this method of Filipino open hand fighting. The major difference between
the two boxing methods is target selection and the use of body movement.
In Panantukan, the target often used is an attackers limb and or supporting
joint. |
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Sikaran |
Sikaran or kicking method used in Filipino
martial arts again is often based on striking attackers limbs. Low line
kicks and or knees are employed in this style to subdue an attack. This
style is often supported by the use of Kadena de Mano or Panantukan techniques. |
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Grappling |
Dumog is one of the traditional forms of
Filipino grappling. Concepts and theories are used from this style, and
are supported by additional techniques from Japanese, Brazilian and western
methods of wrestling and ground fighting. When such techniques are used
proper respect and credit are given to the effective and proven styles. |